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#SURROUND SOUND STUDIO MONITORS HOW TO#
#SURROUND SOUND STUDIO MONITORS PRO#
#SURROUND SOUND STUDIO MONITORS PROFESSIONAL#

You will need to configure the Dolby Atmos Renderer to support a 5.1.4 or 7.1.2 format as they are not default room formats. For studios with a smaller space or a smaller sound design room, 7.1.2 and 5.1.4 formats are available.

#SURROUND SOUND STUDIO MONITORS PRO#

Note that with 10 channels max for monitoring 7.1.4 and above, a Pro Tools | MTRX Studio interface would be better suited for large studio monitoring. Here the Main (MON L-R) TRS outputs will need to be unchecked. In Pro Tools Ultimate or Pro Tools Studio, start by going to Hardware Setup window.

#SURROUND SOUND STUDIO MONITORS HOW TO#

How to Configure Pro Tools | Carbon for Dolby Atmos monitoring With the Main (MON L-R) active, six-channel or eight-channel monitor paths can be selected for 5.1 or 7.1 formats.įor a SMPTE format 5.1 output, the I/O setup would be configured as pictured below. In Pro Tools Ultimate or Pro Tools Studio, start by going to your Hardware Setup window. How to configure Pro Tools | Carbon for 5.1 or 7.1 monitoring ADAT outputs and the Carbon Pre outputs are not available for the monitor section. The outputs for surround are only the Carbon Main unit LR-TRS and eight channel D-Sub outputs.

Now in Pro Tools 2023.6, Carbon supports monitoring for the following formats: 5.1 and 7.1 for stereo, and 5.1.4 and 7.1.2 for Dolby Atmos. And although it was intended for music production, many users asked for the monitor section to support surround formats for picture post and Dolby Atmos®. The innovations packaged into Carbon have been well received by musicians, engineers, and producers for offering sub-millisecond latency and best-in-class sound quality. The monitor section can support up to three sets of stereo monitors and four stereo headphone cue outputs. In October 2022 at AES in New York, Pro Tools | Carbon Pre was introduced, adding eight channels of the same Carbon I/O for up to 24 32-bit high resolution mic/line inputs and outputs with two Carbon Pres. It also introduced new AD/DA conversion topology which offers a 32-bit clean input to output signal path and eight channels of mic/line analog input along with 10 channels of analog output-expandable to up to 24 I/O with two ADAT light pipe ports.

The Pro Tools | Carbon interface was introduced in November 2020 and combines several core Avid audio innovations including the deterministic DSP-acceleration with low-latency Hybrid Engine from Pro Tools | HDX, as well as AVB AiOP transport, double-precision low-jitter clocking, and pristine microphone preamps from VENUE | S6L.

Input Impedance: 27.2kOhm (balanced) / 13.6kOhm (unbalanced) | Crossover Point: 3.2kHz | SPL: 105dB, Peak 108dB | Input Connectors: XLR / TRS 1/4″ combo connector, balanced / unbalanced | Gain Control: -14.

Biamp 2-Way Powered Speaker System | Active Studio Monitor Speaker | HF Driver: extremely low mass magnetostactic tweeter Φ49 x 26 mm | LF Driver: 8″ kevlar curved cone (magnetic shielding type) | Output Power: 140W (HF: 70W, LF: 70W), 160W AC consumption power | Frequency Response: 37Hz – 25kHz.

Other new special features that are not standard in this class are standby to save power consumption (can be disabled) and a ground lift switch.

They are not only helpful to reduce unwanted vibrations, but also allow you to tilt the speaker towards the precise listening point – a great feature for typical near field applications.

Another new feature is the flexible rubber feet with discrete height adjustment.

The tweeter features a newly upgraded magnetostatic design with extremely low moving mass for extended frequency and fast transient response and high sound resolution.

The new design of the crossover ensures an excellent phase response and safe power limitation, to drive the woofer and tweeter efficiently.The KH 80 Active DSP is designed for use as a near-field monitor, as a front loudspeaker in small multi-channel systems, or as a rear loudspeaker in a compact multi-channel systems.

#SURROUND SOUND STUDIO MONITORS PROFESSIONAL#

The KH 80 Active DSP Powered Studio Monitor is a professional reference monitor representing the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible.

This allows the loudspeaker to be used in diverse acoustical conditions, with any source equipment and in a wide variety of physical locations.

The Neumann KH 80 Active DSP Powered Studio Monitor is a 2-way active bi-amplified studio monitor featuring a DSP engine with network control, a Mathematically Modeled Dispersion Waveguide (MMD), an analog input and an extensive range of mounting hardware.

Latest modeling techniques used to minimize non-linear distortion Smoother off-axis response, more forgiving of diverse acoustical environments Compact polycarbonate composite cabinet Powerful highly efficient amplifiers with large headroom Wide range input gain and output level controls.